Servus, Grüezi, Hello, жакшы күн, 良い一日!

Heyo, I am Daniel Klug and I am currently a postdoc assistant at the Seminar for Media Studies at the University of Basel, Switzerland. I received my Masters in Sociology from the University of Vienna and my PhD in Media Studies from the University of Basel.

I research, teach, and publish on the topics of reality TV, music videos, celebrity culture, computer-based analysis of audiovisual media, and in general on media sociology and popular culture analysis. I co-developped the web application trAVis, a music-centered transcription tool for audiovisual media products.

You can also find me on Research Gate, academia.edu or Xing.

 

Daniel.Klug[at]unibas.ch

 

Publications (full list at University of Basel)

Conference Paper (selected)

Presentations

Research Projects

 

 

 

 

Conference Paper (selected)

musical.ly Tutorials as Aesthetic Codes and Performance Guidelines in Digital Youth Communities
ECREA 2018, Lugano, November 2018

TRAVIS GO – Simple and Collaborative Annotation of Video and Audio Material (info slides)
Media & Learning, Leuwen, June 2018

Celebreality Show Participants and the Fame Cycle
EUPOP 17, London, July 2017

Elicited and Exploited Emotions – How Reality TV Demands the Body
Affect – Media – Power, Berlin, June 2017

The Simple Life: House Building, Barter, and Self-Support in the Reality Show Alaskan Bush People
SIEF2017, Göttingen, March 2017

Implementing Screens Within Screens to Create Telepresence in Reality TV
IMPEC’16, Lyon, July 2016

Transgressions of Reality. Factualizing the Fiction of Scripted Reality
Media and Transgression, Lund, March 2016

Displaying the Self through Moving Images. Functions and Consequences
of ‘Pretty Or Ugly’ YouTube Videos on Peer-Perception and Self-Identification

ICA, Seattle, May 2014

What’s That Sound? How Music Videos Create Realistic Audiovisual Experiences
ESSA, Berlin, October 2013

 

 

 

 

Presentations

Full list of presentations (PDF)

 

2018

Musical.ly Tutorials as Aesthetic Codes and Performance Guidelines in Digital Youth Communities
ECREA 18
USI Lugano, 31.10.-04-11.2018

Collaborative Engagement with Audiovisual Media Products Using the Web-Application TRAVIS GO
Visual Knowledge in Education and Science/ Youth presents Congress 2018
Berlin‐Brandenburg Academy of Sciences and Humanities, 25.-27.10.2018 (zus. m. E. Schlote)

Ästhetische Bildung mit audiovisuellen Medien digital unterstützen – Die Web-Applikation TRAVIS GO
an der Schnittstelle von Medienwissenschaft, Informatik und Schulpraxis

fraMediale 2018
Frankfurt University of Applied Sciences,
19.09.2018 (zus. m. E. Schlote)

TRAVIS GO – A web-application for simple and collaborative annotation of video and audio material
in school lessons
Media & Learning
STUK Leuven, 14.-15.06.2018 (zus. m. E. Schlote)

Rising from the Trashes. Ordinariness and the Reality Celebrity Career
Cool Retro Camp Trash – Aesthetic Concepts in Popular Culture
University of Freiburg, 03.–05.05.2018.

2017

Teile/herrsche oder sharing is caring? MedienwissenschaftlerInnen, Lehrkräfte und Informatiker entwickeln eine Web-Applikation zur Medienbildung in der Schule
Apps Co zwischen Lenkung und Selbstermächtigung
TU Köln. 24.–26.11.2017 (zus. m. E. Schlote)

Audiovisuelle Medienprodukte transkribieren, annotieren, analysieren. Erfahrungen aus der Konzeption, Entwicklung und Anwendung der Web-Applikationen trAVis und TRAVIS GO
Videoannotation in den Wissenschaften – Herausforderungen und Perspektiven
Hasso-Plattner-Institut, Potsdam. 16./17.11.2017

TRAVIS GO – Filmanalyse einfach gemacht!
KommSchau’17: Sicher oder riskant?
Fachhochschule Norwestschweiz, Campus Brugg-Windisch. 15.11.2017 (zus. m. E. Schlote)

„Pics or it didn’t happen! Image-centered Online Interactions as a Strategy of Reality Enhancement in Scripted Reality TV“
Visualizing (in) the New Media
Universität Neuchatel, 8–10.11.2017 (zus. m. U. Autenrieth)

Entwicklung einer Web-Applikation zur Analyse von audiovisuellen Medienangeboten im Schulunterricht
Bildungsräume 2017 (DeLFI GMW 2017)
TU Chemnitz, 05.–08.09.2017

Where Do They Come From, Where Do They Go? Celebreality Participants and the Fame Cycle
EUPOP17, 6th European Popular Culture Association Conference
University of the Arts London, 25.–27.07.2017

Elicited and Exploited Emotions – How Reality TV Demands the Body
Affect – Media – Power
FU Berlin, 29.06.–01.07.2017 (zus. m. A. Schmidt)

The simple life: house building, barter, and self-support in the reality show Alaskan Bush People
SIEF2017, 13th International SIEF Congress: Ways of Dwelling: Crisis – Craft – Creativity
Universität Göttingen, 26.–30.03.2017

2016

Videoclips, Musikclips und Musikfernsehen
Populäre Musik und Audiovisualität (Ringvorlesung)
PH Freiburg i. Brsg, 14.07.2016

Implementing screens within screens to create telepresence in reality TV
IMPEC 2016
ENS, Université de Lyon, 06.-08.07.2016 (zus. m. A. Schmidt)

‘It’s not what it looks like!’: The Context of Scripted Reality Production
Production Studies: Film, Television, and their Industrial Context
Cinema and Television History (CATH) Research Centre, De Montfort University Leicester, 15.06.2016

Putting the Action into Faction. Production Strategies of Scripted Reality Television in the Understanding of the Producers
Media Engagement: Connecting Production, Texts, and Audiences
University of Westminster, 04.05.2016

Die Produktion von Scripted Reality-Formaten im Kontext aktueller Programmentwicklungen
Globale Gefühle – lokale Affekte? Die kulturelle Transformation von Unterhaltungssendungen (Expert_innenworkshop)
Institut für Publizistik- und Kommunikationswissenschaft, FU Berlin. 29.04.2016

Transgressions of Reality. Factualizing the Fiction of Scripted Reality
Media and Transgression
Lund University, 17.03.2016.

 

 

 

 

Research Projects

Development and Evaluation of a Web-Application for the Analysis of Audiovisual Media Products in Music Education at School
Funded by the Swiss National Science Foundation (SNF), 2016 – 2019 (active)

Varieties of Scripted Reality Programs in Television and on the Internet.
Comparative Analyses of Production, Product and Reception in (German-speaking) Switzerland

Funded by the Swiss National Science Foundation (SNF), 2014 – 2016

Image-Text-Sound-Analyses of Music Videos
Funded by the Swiss National Science Foundation (SNF), 2008 – 2011

 

© Daniel Klug 2018